Thick-skinned writers.

Let’s face it we’re not all great writers.  In fact very few of us are.  Nevertheless, we persevere and produce labours of love in whatever form we think we are good at.

When our major work, which has sometimes taken years to complete, is done there remains an almost universal desire to seek the approbation even admiration of our friends’ colleagues and readers. How then are we to react when our work is considered poor?

The reasons why our readers find it so are many and various, some deserved some perhaps not as valid as others.  Nevertheless,  criticism can hurt.  There’s no use denying it.

Is there a defense mechanism that can help us ward off the hurt?  Probably not, but what we can do, is go again.  Write some more, but when we do we should if possible take yesterdays’ criticism as tomorrow’s guideline, at least to some extent.  If we are to write anything worthwhile we have to believe that one day someone will read what we’ve written and say: “Hey, that was worth my time.” That’s possibly the greatest compliment of all, we filled their moments with words that exercised their minds and made them think,  enquire, cry, laugh or even be amazed. This is the challenge every writer faces and very few writers achieve.

I hear you say, that’s ‘baloney’.  I don’t think it is, but equally, I believe that the business of writing has become a very tough place to be.  The commercial mainstream demands excellence in well-trodden genres, yet there are still astonishing breakthroughs.  However, it remains true that the readers enjoy the hero rather than the anti-hero,  that readers have habits and areas of comfort where they are comfortable.  Do we, as writers, want to follow or lead. That is the question each one of us has to answer.

The thing is, we’re all storytellers, and some stories are better than others. It is the unpredictable that makes us tick, the ability to wander around in the frontier-less expanses of our minds.  No one has been there before, and no one but us can tell where the stories will lead. Good for us, let’s write another one. Somebody somewhere might like it.

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Keeping the faith.

Having started writing a novel, the enormity of the commitment creeps up on you.  What have you done?  An idea is one thing but translating it into a novel is quite another.  The first chapter is hard enough, but in some ways is the easiest.  Your enthusiasm is high your belief in the dominant idea is strong – what can go wrong?

Lots actually. If you let it go wrong.  This is where the creative writer really earns his spurs.  Finding your way from the succinctness of a simple idea to the complexities of a story that fascinates, is a long and arduous journey.  It needs concentration, discipline and most of all courage (guts).

Sometimes the idea is easy to center in a plot that is coherent – if this happens early then ride it, write and write till your hands hurt.  However, more likely, it will be more difficult and you may have many changes of heart along the way. Even to the extent of rejecting the dominant idea.  Kick it out and start again.  Kick it out and give up.  Kick it out and, sod it, I’ll never even try again!  All these are degrees of response when the going gets tough.  Well in most cases it is going to get tough, some call it writers’ block, but I don’t think that’s an accurate description of the crisis that besets every writer no matter what the degree of his/her accomplishment.

It is a crisis of creativity or lack of it.  We all have to be courageous enough to untie the restrictions that tie us down.  This is remarkably hard to do, like walking on the edge of a cliff with a blindfold. Really scary!

Go there.  Go where you’ve never been before and always remember there are no limits to your imagination. There are no frontiers, so step off the edge and see where you land.

Getting down to writing.

How easy is that? Well not so easy if you are setting out to write another novel.  I wrote last week about the challenges and choices that face every author at the beginning of a new work.

I was once encouraged to just put down my bottom, sit up and type/write – no matter what the substance and sooner or later there will be something of value remaining that can contribute to the finished work.   Though I have reservations about where the empty page can take you.  An empty page and perhaps an empty mind!

Today, after mulling over the last week the development of the idea of “The beginning of my end” I’ve put a bit more flesh on the bone.  I still agonize about the autobiographical bit and how hard it is to avoid.  We are after all, what we have become through the data bank of our experience.  It is impossible to avoid even in this age of endless research tools.  The key is our imagination and our ability to imagine.

This should I suppose be limitless, but it seldom is, tied down as we are to the experience of our own being.  I find it impossible to get excited about certain options that are fantastic, sci-fi, horror and even brutal everyday crime.   There lie my limitations as an author.  A narrowly defined horizon that imprisons my imagination.

I will try to work to broaden my options and open my mind.  But even at 76, it’s hard to do despite having traveled more than most and enjoyed a relatively wild and certainly interesting life.

At least in this little blog, I’ve set myself up, to flex my imaginative muscles and step into a brand new horizon.  Who knows what I shall find there?